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*****n's Birthday Pick


Adam and The Ants - Kings of The Wild Frontier [1980]

Rock | Pop | New Wave | Post-Punk 
Discogs

Stephen Thomas Erlewine (AllMusic) wrote:

 

Hooking up with Malcolm McLaren was a pivotal moment for Adam Ant, since the manager not only introduced Ant to the thundering, infectious Burundi drum beat that became his signature, McLaren stole his band, too. Adam and the rest of the Ants had just worked up how to exploit the Burundi style when McLaren pirated the boys off to support Annabella Lwin in Bow Wow Wow — using the very same sound they had developed with Adam Ant. It was now a race to get that sound into the stores first, and Adam succeeded when he joined forces with guitarist Marco Pirroni (ex-The Motels, Siouxsie and The Banshees), who quickly proved to be invaluable. Ant and Pirroni knocked out a bunch of songs that retained some of the dark artiness of Dirk Wears White Sox, largely anchored by those enormous Burundi beats and given great, irresistible pop hooks — plus a flash sense of style, as the new Ants dressed up in something that looked like American Indians with a velveteen touch of a dandy fop.

It was a brilliant, gonzo move — something that quickly overshadowed Bow Wow Wow — and the resulting record, Kings of the Wild Frontier, is one of the great defining albums of its time. There's simply nothing else like it, nothing else that has the same bravado, the same swagger, the same gleeful self-aggrandizement and sense of camp. This walked a brilliant line between campiness and art-house chutzpah, and it arrived at precisely the right time — at the forefront of new wave, so Adam & the Ants exploded into the British popular consciousness. If image was all that they had, they would've remained a fad, but Kings of the Wild Frontier remains a terrific album because it not only has some tremendous songs — the title track and "Antmusic" are classic hits, while "Killer in the Home" and "Physical (You're So)" are every bit their equal — but because it fearlessly, imperceptibly switches gears between giddy and ominous, providing nothing short of a thrill ride in its 13 songs. That's why it still sounds like nothing else years after its release.

*****n wrote:

 

In looking around for a pick there are always too many to choose from. I felt that in this time of celebration it would be appropriate to give thanks and dedicate an album to an artist who died this year. It turns out that some Apollo members have curated a collage Musicians Who Died in 2017 (props to *****) and it was through this collage that I learned with great surprise of the death of Adam Ant. I haven't listened to this in over 30 years, and it was a delight to discover it all over again. It's a blast.